Empowering Minorities to Shape Urban Landscapes
03 Feb, 2012
by Elizabeth Evitts Dickinson, via Grist.org,
When people ask me why I write about architecture, design, and cities — why I focus on these topics instead of all of the others — I like to tell the story of a park bench.
I first read this story many years ago in a book of essays on urbanism. It starts auspiciously enough with the development of a new neighborhood outside of Los Angeles. The developers promoted the neighborhood as one of inclusivity, a place where community would reign supreme. They designed everything from the houses to the garbage cans and the sidewalks.
The park benches they selected were shaped like horseshoes. I assumed the design was to encourage people to face one another and strike up a conversation, but I was wrong. A person cannot sleep on a curve. The bench was designed to be “bum proof” in order to keep the “wrong” kind of person out of this “inclusive” community.
Design is everywhere and it has the power to galvanize community or to thwart it. It can empower or it can disenfranchise. Today there is a growing awareness about the role that design plays in our day-to-day lives. The profession is waking up to the idea of human-centered design, which focuses on the needs of the community as a whole and a belief that good design is that which serves the greater good.
There’s only one problem: Large swaths of our communities are not participating in the design process.
Take architecture. There are about 105,000 registered architects in the United States. According to The Directory of African American Architects, a database sponsored by the Center for the Study of Practice at the University of Cincinnati, there are 1,829 licensed African American architects in the country. Of those, less than 300 are women. The stats are not much better in other design fields — landscape architecture, urban planning, product design.
Why?
Michelle White believes two things contribute to this disparity: exposure and access. White is the principal of the Henry Ford Academy: School for Creative Studies (HFA) in downtown Detroit. Her public charter middle and high school opened in 2009 and currently serves 690 students. Ninety-eight percent are African American. “We don’t have many minorities in the design field and so there are few role models in the career to show kids the profession,” she says. “There is also a lack of access to the skill-building and academic development needed to go into technical fields, including architecture and design.”
White helms a school aimed at giving Detroit’s public school students exposure and access to design thinking and the profession. The curriculum was developed in partnership with design firm IDEO and Stanford’s d.school and uses design and the arts as a foundation. Students spend the academic year solving a design challenge that carries across all subjects and out into the city itself. Seventh graders have created a new community garden and a series of public service announcements on bullying. Eleventh graders focus on entrepreneurship, with many of their design prototypes raising funds for Detroit nonprofits.
Click here to read the rest of this story at Grist.org.

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